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Damn Yankees is a 1955 musical comedy with a book by George Abbott and Douglass Wallop, music and lyrics by Richard Adler and Jerry Ross. The story is a modern retelling of the Faust legend set during the 1950s in Washington, D.C., during a time when the New York Yankees dominated Major League Baseball. It is based on Wallop's 1954 novel The Year the Yankees Lost the Pennant.
The show ran for 1,019 performances in its original Broadway theatre production. Adler and Ross's success with it and The Pajama Game seemed to point to a bright future for them, but Ross suddenly died of chronic bronchiectasis at age 29, several months after Damn Yankees opened.
Middle-aged real estate agent Joe Boyd is a long-suffering fan of the pathetic Washington Senators baseball team. His wife, Meg, laments this ("Six Months Out Of Every Year"). After she has gone to bed, he sits up late, grumbling that if the Senators just had a "long ball hitter" they could beat "those damn Yankees". Suddenly, the smooth-talking, subtly demonic Mr. Applegate appears. He offers Joe the chance to become "Joe Hardy", the young slugger the Senators need. He accepts, even though he must leave Meg ("Goodbye Old Girl"). However, his business sense makes him insist on an escape clause. The Senators' last game is on September 25, and if he plays in it, he is to stay as Joe Hardy forever. If not, he has until 9:00 the night before to walk away from the deal and return to his normal life.
At the ballpark, the hapless Senators vow to play their best despite their failings ("Heart"). Then Joe Hardy is suddenly discovered and joins the team. Gloria Thorpe, a sports reporter, praises him ("Shoeless Joe from Hannibal, Mo"). His hitting prowess enables the team to move up in the standings.
Though Joe is increasingly successful, he truly misses Meg and moves into her house as a Boarding house in his persona as Joe Hardy. They begin to bond, especially over her "lost" husband ("A Man Doesn't Know"). Fearful of losing his deal, Applegate calls Lola, "the best homewrecker on his staff", to seduce Joe and ensure his loss of the bet. She promises to deliver ("A Little Brains, A Little Talent"), and Applegate introduces her as a sultry South American dancer named "Señorita Lolita Banana". She sings a seductive song ("Whatever Lola Wants"), but Joe's devotion to Meg proves too strong, even for her. Applegate punishes her by firing her, where she performs with other past workers for Applegate ("Who's Got the Pain").
Applegate decides to switch tactics to ensure Joe's failure. He releases false information about Joe's true identity being "Shifty McCoy", an escaped criminal and con artist. When Gloria discovers this information, she presses charges, and he is forced into court.
The Senators prepare for the final game against the Yankees for the pennant and worry about Joe, but they vow to think of nothing but winning ("The Game"). Meanwhile, angry fans are seeking him out, so he decides to leave home. As he does so, he hints to Meg that her old husband is nearby ("Near to You"). Meanwhile, Applegate is exhausted by the work he has put into winning one bet and thinks about the "simpler" times in his long history ("Those Were the Good Old Days").
Joe's trial is held on September 24, the last day he can back out of his deal. As he technically does not exist, he cannot produce any kind of identification. The owner of the Senators, their coach, and even Lola (disguised as "Señora McCoy") testify, but their opinions carry no weight. Gloria suggests that Applegate take the stand, but he is unable to take the oath since it requires him to tell the truth. Joe realizes that Applegate is simply stalling to keep him from meeting his 9:00 deadline. Applegate claims that Joe "just needs time to think" and sends him to where Lola is, where history's most famous lovers wait. Lola meets him there and realizes that he truly loves Meg. She helps him by sending him into the final game and delays Applegate by coercing him into a duet ("Two Lost Souls").
When Applegate finally arrives at the game, it is 8:55, and Joe is at bat. As time runs out, Meg, her friends, and even Lola begin cheering for him. Applegate uses his powers to give Joe two strikes. The clock strikes nine, and Applegate claims victory, but at the last second, Joe cries, "Let me go!" The deal is broken, and he reverts to his old self but is still able to hit a home run, winning the pennant for the Senators.
Back at home, Joe rushes into Meg's arms. Applegate appears on the scene, claiming that Joe owes him his prize. He begs Meg to hold him and not let go, and she begins to sing ("Finale (A Man Doesn't Know)"). Applegate promises to make him young again and even ensure a World Series victory. But his powers are useless against their true love, which Lola points out. He shouts that such a thing cannot exist, but he is wrong. He and Lola vanish back to where they came from, defeated, with Joe and Meg united.
The show opened on Broadway theatre at the 46th Street Theatre on May 5, 1955, transferred to the Adelphi Theatre on May 17, 1957, and ran for a total of 1,019 performances. It was directed by George Abbott, with scenery and costumes by William and Jean Eckart, dances and musical numbers staged by Fosse, musical direction by Hal Hastings, orchestrations by Don Walker, and dance music arrangements by Roger Adams.
The show starred Ray Walston (Applegate), Verdon (Lola), Shannon Bolin (Meg), Robert Shafer (Joe Boyd), Elizabeth Howell (Doris), Stephen Douglass (Joe Hardy), Al Lanti (Henry), Eddie Phillips (Sohovik), Nathaniel Frey (Smokey), Albert Linville (Vernon, Postmaster), Russ Brown (Van Buren), James Komack (Rocky), Rae Allen (Gloria), Cherry Davis (Teenager), Del Horstmann (Lynch, Commissioner), Richard Bishop (Welch), Janie Janvier (Miss Weston), and Jean Stapleton (Sister).
In the mid-1970s, Vincent Price starred as Applegate in summer stock productions of the show. In the late 1970s and early 1980s film actor Van Johnson did so in productions throughout the U.S.A. In July, 1981, a production was performed at the Jones Beach Marine Theater in Wantagh, New York. It was notable due to former New York Jets quarterback Joe Namath being cast in the role of Joe Boyd. csmonitor.com
A film version, directed by George Abbott and Stanley Donen, was released in 1958. With the exception of Tab Hunter in the role of Joe Hardy (replacing Stephen Douglass), the Broadway principals reprised their stage roles. Damn Yankees tcm.com, retrieved August 16, 2018 " Damn Yankeess Notes" tcm.com, retrieved August 16, 2018
A made-for-TV movie version was broadcast on April 8, 1967, on NBC. Phil Silvers played Applegate. Also starring were Lee Remick as Lola and Ray Middleton as Joe Boyd.Terrace, Vincent. Damn Yankees, Television Specials: 5,336 Entertainment Programs, 1936-2012, 2nd ed., McFarland, 2013, , p. 117
In 1983, Ray Walston expressed interest in recreating Applegate in Raisin' Cane, a new musical in which the devil returns to ruin Broadway. In a spin on Damn Yankees, this time Applegate takes a young girl and grows her up and gets her the lead in a Broadway show, planning to change her back, bankrupting all the investors. Book, music and lyrics are by San Francisco Bay Area writer/lyricist/composer Ted Kopulos.
In 2009, it was announced that a new contemporary film adaptation of the musical will star Jim Carrey as Applegate and Jake Gyllenhaal as Joe Hardy. No further announcements about this adaptation have been made since (as of December 2024).
Awards and nominations
Original Broadway production
1956 " Damn Yankees Awards" ibdb.com, retrieved August 16, 2018 Tony Award Best Musical Best Performance By a Leading Actor in a Musical Ray Walston Stephen Douglass Best Performance by a Leading Actress in a Musical Gwen Verdon Best Performance by a Featured Actor in a Musical Russ Brown Best Performance by a Featured Actress in a Musical Rae Allen Best Conductor and Musical Director Hal Hastings Best Choreography Bob Fosse Best Stage Technician Harry Green
1994 Broadway revival
1994 " Damn Yankees 1994 Awards" ibdb.com, retrieved August 16, 2018 Tony Award Best Revival of a Musical Best Performance by a Leading Actor in a Musical Victor Garber Best Performance by a Featured Actor in a Musical Jarrod Emick Best Choreography Rob Marshall Drama Desk Award Outstanding Revival of a Musical Outstanding Featured Actor in a Musical Jarrod Emick Outstanding Orchestrations Douglas Besterman Theatre World Award Jarrod Emick
1997 London revival
1998 "Olivier Award 1998" officiallondontheatre.com, retrieved August 16, 2018 Laurence Olivier Award Laurence Olivier Award for Outstanding Musical Production Best Performance in a Supporting Role in a Musical April Nixon Best Theatre Choreographer Rob Marshall
Notes
External links
Categories: 1955 Musicals, Broadway Musicals, Music Based On The Faust Legend, Musicals Based On Novels, Musicals By George Abbott, Musicals By Douglass Wallop, Musicals By Richard Adler, Musicals By Jerry Ross, Musicals Choreographed By Bob Fosse, Works About The New York Yankees, Fiction About The Devil, Sports Musicals, Tony Award For Best Musical, Washington Senators, Tony Award–winning Musicals, Musicals Set In The 1950s, Musicals Set In Washington, D.c.
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